>> PRODUCTION OF "BROAD & HIGH" IS FUNDED IN PART BY THE GREATER COLUMBUS ARTS COUNCIL, SUPPORTING ARTS, ADVANCING AND CONNECTING THE COMMUNITY TO CULTURAL EVENTS, ARTISTS, AND CLASSES AT COLUMBUSARTS.COM.

♪♪ THIS TIME ON BROAD & HIGH, A PAINTER AND CARTOONIST WITH SOUTHSIDE ROOTS FLOURISHES IN COLUMBUS.

>> I CAN MOVE, BUT I CHOOSE NOT TO.

THAT BUILDS UP COLUMBUS.

>>> THE CHILDLIKE WHIMSY OF ARTIST JORDAN WONG.

A MODERATELY CONFUSED ARTIST EXPLAINS LIFE, ONE PANEL AT A TIME.

>>> AND MUSIC BY TALISHA HOLMES AND BJAZZ.

THIS AND MORE RIGHT NOW ON BROAD AND HIGH.

♪♪ ♪♪ >>> WELCOME TO BROAD & HIGH I'M YOUR HOST FOR THIS EPISODE, DAVID HOLM.

BRYAN MOSS IS A CARTOONIST AND PAINTER WHO GREW UP ON THE SOUTH SIDE.

HE DRAWS INSPIRATION FROM MANY SOURCES.

FROM HIS LONGTIME FRIEND AMINAH ROBINSON, TO THE MANY GREEN SPACES HERE IN COLUMBUS.

WE MET UP WITH HIM TO LEARN ABOUT HIS RECENT WORK, AND GET A GLIMPSE INTO HIS CREATIVE PROCESS.

>> HOW MANY COMIC BOOKS DO YOU OWN?

>> OKAY, LET'S PUT IT LIKE THIS, UM.

HOW MANY COMIC DO OWN?

♪♪ ♪♪ I OWN TWENTY BOOKSHELVES OF GRAPHIC NOVELS.

I THINK I MIGHT FILL A LIBRARY ONE DAY.

♪♪ ♪♪ SO I WAS BORN IN 1981, ON THE SOUTH END OF COLUMBUS.

SO BORN AND RAISED.

NOW THAT I REFLECT BACK ON IT, I GREW UP REALLY POOR.

WHEN YOU SAY IT, IT SOUNDS PRETTY TRIGGERING, BUT ACTUALLY I LEARNED A LOT.

THAT'S HOW I LIKE FIGURED OUT HOW TO DO ART THROUGH LIKE A GRASSROOTS PROCESS.

LIKE I SIGNED UP FOR ART CLASSES AT SCHILLER PARK.

THAT'S WHEN I DISCOVERED AND UNDERSTOOD THAT I WAS GOING TO BE AN ARTIST.

AFTER THAT, IT WAS MORE JUST LIKE DRAWING, DRAWING, DRAWING.

SO JUST NONSTOP.

JUST OBSESSED WITH IT.

♪♪ SO WHEN I WAS LIKE TEN OR ELEVEN, THAT'S WHEN I DISCOVERED COMIC BOOKS.

AND THEN THAT'S WHEN IT SHIFTED, SO THAT I WAS JUST DRAWING COMICS ALL THE TIME.

♪♪ ♪♪ THE CURRENT PROJECT I JUST FINISHED UP, AND THAT I'M STILL WORKING ON A LITTLE BIT HERE AND THERE, IS A COMIC BOOK CALLED “EIGHT FOLD PATH” IT'S A TWO-HUNDRED TWENTY FIVE PAGE COMIC.

THE TURNAROUND TIME FOR THE BOOK WAS SIX MONTHS.

SO IT WAS A TEAM OF US ABOUT SIX TO EIGHT PEOPLE JUST WORKING AROUND THE CLOCK ON THIS BOOK.

I'M THE BEGINNING AND THE END OF IT.

WHICH MEANS THAT I APPROVE WHAT GOES THROUGH AND WHAT DOESN'T, SO IT'S ALMOST AS LIKE A DIRECTOR.

♪♪ ♪♪ THE IDEA OF CONVERTING A SCRIPT INTO A COMIC BOOK IS ACTUALLY A VERY DIFFICULT PROCESS.

YOU START PENCILING, WE GO THROUGH THIS PROCESS CALLED THUMB NAILING, WHICH IS WHERE YOU JUST LITERALLY SKETCH OFF THE IDEA, AND THEN AFTER THAT YOU GO INTO YOUR OFFICIAL PENCIL, WHICH IS LIKE, WHERE YOUR LIKE, OKAY THIS WORKS.

NOW LET'S DO THE PANELING AND ACTUALLY DRAW IT IN PENCIL AND MAKE THAT WORK.

AFTER THAT WE INK IT.

THE INKING PART IS KIND OF LIKE THE FUN, THE JAZZ OF IT.

AND THEN AFTER THAT WE SCAN IT IN.

DIGITALLY COLOR IT.

THAT'LL MAKE THIS INTO THIS “HITCHCOCKIAN” LIKE MASTERPIECE COMIC.

THEY'RE LIKE “ALRIGHT WE UH WE BUILD IT WHILE WE FLY” SO ANOTHER PROJECT THAT I WORKED ON THAT WAS SUPER AWESOME, SUPER EPIC, A DREAM COME TRUE.

WHITE CASTLE AND COCA COLA CALL ME AND WAS LIKE “WOULD YOU LIKE TO DO THE ART FOR OUR ONE HUNDREDTH ANNIVERSARY, WOULD YOU BE INTERESTED IN DESIGNING A CUP?” AND I WAS LIKE “YEAH” AND THEN I WAS LIKE “WE SHOULD DO LIKE THREE CUPS” SO IT'S LIKE A COLLECTOR THING.

♪♪ ♪♪ NOW I DON'T KNOW ABOUT YOU GUYS BUT I ALWAYS WANTED TO DESIGN SOMETHING LIKE THIS, AND EVEN FROM WHEN I WAS A KID BECAUSE WHAT I REALLY HAVE A LOT OF PASSION ABOUT IS ACTUALLY, LIKE MAKING PRODUCTS COOL.

AND SO WE DEVELOPED A NARRATIVE FROM THE BEGINNING, AND THE ORIGINAL BILLY INGRAM, THE FOUNDER.

IT SHOWS LIKE THE DINER OF THE FIRST LOCATION.

WHAT THE FIRST GIFT CARD LOOKS LIKE.

SO YEAH THIS IS ALL MY NARRATIVE, ALL MY STORYTELLING I CAME UP WITH.

AND OBVIOUSLY ME THERE AT THE END AS ANY GREAT RENAISSANCE PAINTER WOULD DO, WHICH IS INCLUDE THEMSELVES INTO THE MASTPIECE.

SO YEAH, SO IF YOU GET A CHANCE LOOK FOR THOSE CUPS ONLINE, YOU KNOW.

♪♪ FOR ME LIFTING UP OTHER PEOPLE WITHIN THE COMMUNITY THROUGH MY WORK I WOULD SAY IT'S A VERY CRITICAL PART OF WHAT I DO.

♪♪ ♪♪ THE MURAL I RECENTLY COMPLETED WAS ONE OF, THE ONE AND ONLY HANIF.

IT'S ACTUALLY ON A LAW FIRM ON MILLER AND MAIN.

HANIF IS A WRITER.

HANIF IS A FAMOUS WRITER.

HANIF AND I WENT TO MIDDLE SCHOOL TOGETHER.

THERE'S A BIT OF AN AGE DIFFERENCE, BUT THERE'S THIS INDIRECT RELATIONSHIP THAT WE'VE ALWAYS HAD.

WITH HANIF, THE COOL THING ABOUT IT IS THAT HE STAYED.

THAT BUILDS UP COLUMBUS.

THAT WAS MY PERSONAL GOAL TOO.

I COULD MOVE, BUT I CHOOSE NOT TO BECAUSE THE IDEA OF BUILDING UP COLUMBUS.

WE END UP CALLING THE MURAL, “THE PEOPLES MURAL” BECAUSE OF HOW THE COMMUNITY GOT BEHIND IT.

THE PROCESS FOR THE “THE PEOPLES MURAL” WAS TO SHOW HANIF AS A MOSAIC.

A REASON I WANTED TO REALLY INJECT A LOT OF COLOR IN IT, HAS MORE TO DO WITH THE QUOTE “THERE IS SOMETHING ABOUT SETTING EYES ON THE PEOPLE WHO HOLD YOU UP INSTEAD OF SIMPLY IMAGINING THEM” THE IDEA OF THIS IS WHERE THE CHARACTERS IN THE BACKGROUND, AND THESE ARE PEOPLE THAT ARE IN THE COMMUNITY TOO.

I PUT THEM ALL IN BLACK AND WHITE, AND I PUT HANIF IN COLOR BECAUSE WE REALIZE AS ARTISTS THAT WERE LIKE ISOLATED.

IN THE SENSE WE THINK WERE ISOLATED, AND IT'S ACTUALLY NOT THE CASE.

WE ACTUALLY HAVE PEOPLE WHO SUPPORT US, AND THAT CARE, BUT JUST GOING THROUGH THAT PROCESS YOU GET KIND OF LOST AND IT GETS PRETTY EXHAUSTING.

SO IT HAS A LOT OF PERSONAL MEANING, WHEN I DESIGNED THIS.

SO IN THE SUMMER OF 2020, I MOVED INTO AMINAH ROBINSON'S HOME THROUGH THE COLUMBUS MUSUEM OF ART.

NOW WHAT I SERVED AS WAS AS THE MANAGER, BUT THERE'S KIND OF LIKE A DUALITY TO IT.

WHICH WAS THAT AMINAH ROBINSON WAS MY MENTOR.

I MET AMINAH ROBINSON WHEN I STARTED AT THE COLUMBUS MUSUEAM OF ART IN MAY OF 2001.

SO IT HAD LIKE A HIGHER PURPOSE FOR ME.

IT'S A CURATED MUSEUM SPACE SO YOUR ESSENTIALLY INSIDE AMINAH ROBINSON.

THE ENERGY IS THERE.

IT WAS PROBABLY THE LEAST ART PRODUCTIVE I WAS, BUT THE MOST HEALING PROCESS I'VE HAD.

I WAS ABLE TO SLOW DOWN, AND LIKE ACTUALLY RELAX, YOU KNOW?

BECAUSE OF THE RESIDENCY NOT HAVING TO WORRY ABOUT YOU KNOW THE FINANCES AND STUFF LIKE THAT.

IT'S THE ONLY SPACE WHERE I CAN LIKE REALLY LIKE FLY.

WHERE I CAN JUST LIKE DO WHATEVER I WANT.

YOU KNOW, IT'S LIKE A HEALING SPACE I WOULD SAY.

♪♪ ♪♪ THE ONE THING AMINAH SAID TO ME THAT STILL RESONATES WITH ME TODAY IS, “KEEP DRAWING, DON'T STOP DRAWING” AND AT THE TIME I'M LIKE “PSHH DON'T TELL ME THAT, I DRAW ALL THE TIME.” LIKE THAT'S ABSURD I'LL NEVER STOP DRAWING, BUT THEN WHAT HAPPENS IS THAT LIFE HAPPENS.

LIFE OCCURS AND THEN YOU GET OLDER AND DRAWING BECOMES HARDER.

SO THAT MESSAGE JUST LIKE “KEEP DRAWING” HAS MORE IMPORTANCE TO ME NOW, THAN WHEN SHE TOLD ME THAT WHEN I WAS TWENTY-TWO YEARS OLD, YOU KNOW?

I MEAN, BUT THAT'S JUST LIKE A MASTER TEACHER, RIGHT?

SO, YES THAT'S PRETTY COOL.

♪♪ ♪♪ ♪♪ >> HE GOES BY THE HANDLE WONG FACE, AND MAYBE THAT'S AN INDICATION OF THE HUMOR AND QUIRKINESS IN JORDAN WONG'S ART.

LET'S GO TO CLEVELAND TO SEE HOW THIS GRAPHIC DESIGNER AND ILLUSTRATOR IS MAKING HIS MARK.

♪♪ ♪♪ ♪♪ >>> SO, “THE 10,000 THINGS” IS A DALLAS PHRASE THAT REFERS TO, YOU KNOW, THE UNIVERSE, THE WORLD, PRETTY MUCH ALL THAT'S IN EXISTANCE.

AND IT KIND OF RELATES ALSO TO THE IMAGERY OF THINGS THAT ARE FLOWING, EBBING AND FLOWING, AND JUST ALWAYS SHIFTING.

I LOVE THE CONCEPT OF ENERGY.

I LOVE THE CONCEPT OF, YOU KNOW, VISUALS OF MOVEMENT WHICH I THINK HAVE STRONG CONNECTIONS TO LIFE, TO NARRATIVES, TO HUMAN BEINGS, AND GROWING.

A LOT OF THE CHOICES THAT I MAKE CONNECT TO THAT.

MY GRANDFATHER, HE WOULD TAKE LIKE COMPUTER PAPER AND LIKE, YOU KNOW, CUT IT UP INTO LIKE SMALLER SQUARES AND JUST HAVE LIKE A BIG STACK OF IT IN THE KITCHEN FOR ME TO DRAW ON.

I COULD SPEND HOURS DRAWING.

>> WHAT WERE YOU DRAWING?

>> OH.

CARTONN CHARACTERS, COMIC BOOK CHARACTERS, YOU KNOW, VIDEO GAME CHARACTERS.

THINGS, THAT YOU KNOW, THINGS THAT I WAS WATCHING ON TV.

“SONIC: THE HEDGEHOG,” “DRAGONBALL-Z,” ALL THOSE THINGS.

♪♪ >>> THIS IS SUN WUKONG, ONE OF THE MAIN CHARACTERS IN “JOURNEY TO THE WEST” WHICH IS A CLASSIC CHINESE NOVEL IN -- LONG TIME AGO.

AND THERE'S A LOT OF, YOU KNOW, ADAPATIONS OF THIS CHARACTER.

AND I GREW UP WATCHING “THE JOURNEY TO THE WEST” TV-SHOW THAT WAS MADE BACK IN THE ‘80s.

SO, MY GRANDMOTHER WOULD RECORD THIS SHOW AND HAVE IT ON VHS TAPES FOR ME TO WATCH.

AND THE STORY'S JUST FANTASTICAL AND REALLY APPEALS TO YOUR IMAGINATION.

♪♪ >>> SOMEONE ASKED ME RECENTLY LIKE, YOU KNOW, WHAT IS THE USE OF RINGS AND HALOS AND I THINK THEY'RE A GREAT MOTIF TO KIND OF CONNECT TO THIS IDEA OF THE DIVINE OR OTHER-WORLDY.

YOU KNOW, SOMETHING THAT IS BEYOND THIS PHYSICAL REALM.

TO HAVE THIS LIKE HALO OR RING KIND OF LIKE FLOAT AROUND YOU LIKE 24-7, IT'S JUST LIKE THIS REALLY COOL IMAGINATIVE SCENE.

♪♪ >>> I LIKE USING CLOUDS BECAUSE I FEEL LIKE THEY'RE A GREAT IMAGERY THAT COMMUNICATES A WONDER, IMAGINATION, WHIMSY.

AND YOU CAN USE THEM IN ALL SORTS OF DIFFERENT WAYS.

YOU KNOW, THEY'RE KIND OF FLUFFY AND PLAYFUL.

AND NOW THAT I'M THINKING ABOUT CHINESE AND ASIAN ARTWORK, CLOUDS ARE REALLY USED.

ESPECIALLY IN IMAGES OF HEAVEN AND THINGS THAT ARE DIVINE BEYOND THE REALM OF WHAT WE KNOW.

♪♪ ♪♪ >>> YEAH, HIDING LITTLE VERSIONS OF MYSELF IS KIND OF BEEN LIKE A NEW THING JUST BECAUSE THE WORKS THAT I'VE BEEN DOING RECENTLY ARE JUST SO DETAILED AND THERE'S SO MUCH GOING ON.

IT'S LIKE YEAH, WHY NOT GET AWAY WITH HIDING OF THIS LIKE SMALL VERSION OF MYSELF.

AND IT'S KIND OF BECOME A WAY TO QUOTE-UNQUOTE SIGN MY WORKS.

♪♪ >>> A LOT OF THE WORK THAT I'M DOING NOW AND ALSO IN THE PAST, THE COMMON THREAD IS THIS IDEA OF PERSEVEARENCE, ENCOURAGEMENT, GROWTH.

NOW, I'M EXPLORING LIKE AGAIN IN RELATION TO LIKE THE TAOIST IDEAS, THE EBBS AND FLOWS OF LIFE.

BEING A LITTLE SOFTER WHEN THINGS ARE TENSE AND HARD.

AND, YEAH, KIND OF FINDING A BALANCE IN BLISS IN THIS CRAZY LIFE THAT WE LIVE.

WHICH, YOU KNOW, I THINK APPLIES TO NOT JUST THE TIMES WE LIVE NOW BUT IN THE PAST AND THE TIMES WE'RE GOING TO LIVE.

IT'S WEIRD HOW IT'S LIKE ALL CONNECTED AND JUST ALWAYS IN FLUX.

♪♪ ♪♪ >>> A LOT OF US CAN RELATE TO JEFF STAHLER'S SINGLE PANEL COMIC.

THE NAME OF IT IS “MODERATELY CONFUSED.” BUT, THAT'S ONLY ONE PART OF STAHLER'S WORK AS AN ARTIST.

AS WE LEARNED DURING A RECENT VISIT TO SCHILLER PARK, HIS ♪♪ ♪♪ >>> WATER COLOR IS THE TOPLESS MEDIUM.

YOU CAN'T BACK UP.

ONCE YOU'VE STARTED, YOU CANNOT PUT ANOTHER COLOR ON TOP OF IT.

IT MAKES MUD.

SO, YOU HAVE WORK VERY FAST.

A PLEIN AIR ARTIST IS THE TYPE OF ARTIST THAT WILL WORK IN THE ENVIRONMENT.

THAT THEY'RE OUTDOORS TYPICALLY.

PLEIN AIR IS A FRENCH WORD THAT MEANS OUTDOOR PAINTER.

AND I STARTED DOING IT ONLY ABOUT FOUR OR FIVE YEARS AGO.

SCHILLER PARK IS A BEAUTIFUL PARK.

IT'S A 22 ACRE PARK THAT SITS IN GERMAN VILLAGE.

IT'S A PARK THAT ATTRACTS A LOT DOGS, A LOT OF PEOPLE, A LOT OF WALKERS, A LOT OF RUNNERS.

IT'S SO NICE TO PLEIN AIR PAINT BECAUSE YOU GET OUTSIDE, YOU GET AWAY FROM IT ALL.

IT'S VERY RELAXING.

IT'S A -- NOT THAT CARTOONING.

IT'S JUST A WHOLE DIFFERENT ANIMAL.

♪♪ ♪♪ I'M A GRADUATE OF THE COLUMBUS COLLEGE OF ART AND DESIGN.

I GRADUATED IN ADVERTISING WITH AN ILLUSTRATION MINOR.

I WORKED FOR SEVERAL YEARS IN ADVERTISING, BUT I ALWAYS WANTED TO CARTOON.

I DID SOME CARTOONING FOR A MAGAZINE.

ACTUALLY, A WEEKLY NEWSPAPER IN COLUMBUS, OHIO.

I WAS ABLE TO OPEN ANOTHER DOOR AND IT OPENED FOR ME IN CINCINNATI, OHIO.

AND I WAS CARTOONIST FOR THEM AT “THE CINCINNATI POST” FOR 22 YEARS.

EDITORIAL CARTOON IS A CARTOON WITH A POINT OF VIEW.

TRYING TO FIND A LITTLE BIT OF HUMOR IN IT.

BUT, TYPICALLY IT'S GOING TO FALL ON AN OPINION PAGE, SO WANTS TO HAVE -- AND EDITOR WANTS TO HAVE AN OPINION ASSOCIATED WITH A CARTOON.

IT MIGHT NOT BE FUNNY, BUT MANY TIMES, YOU KNOW, I'M HOPING THAT IT IS.

♪♪ ♪♪ WHEN I GOT INTO EDITORIAL CARTOONING BACK IN THE EARLY ‘80s, I THINK I WAS RIGHT AT THE BEGINNING OF THE REGAN ADMINISTRATION.

SO, I'VE WORKED THROUGH ALL THE PRESIDENTS SINCE HIM.

AND THEY'RE ALLL A CHALLENGE.

AND SOME OF THEM ARE EASIER THAN OTHERS.

I STARTED AS A ONE PANEL CARTOONIST DOING EDITORIAL CARTOONS.

SO, I GOT THAT SCIENCE OF THAT TYPE OF GAG DOWN.

I FELT VERY COMFORTABLE THEN MOVING ON TO DOING “MODERATELY CONFUSED” WHICH IS SOCIAL COMMENTARY ON A DIFFERENT LEVEL.

BUT, APPEARING ON COMIC PAGES.

I'M CONTRACTED TO DO THREE-TO-FOUR EDITORIAL CARTOONS EVERY WEEK AND I DO SIX DAILY PANELS FOR “MODERATELY CONFUSED.” SO, IT'S A TOTAL OF NINE CARTOON THAT I -- NINE-TO-TEN CARTOONS THAT I DO EVERY WEEK.

I WORK FOUR WEEKS IN ADVANCE ON “MODERATELY CONFUSED” WHERE AS AN EDITORIAL CARTOON, I DO IT, I PUT IT OUT THE NEXT DAY.

♪♪ YOU HAVE TO HAVE THICK SKIN IN THIS BUSINESS.

BUT, YOU KNOW, IT'S SO REWARDING.

IT'S SO MUCH FUN.

AND PEOPLE ALWAYS ASK, YOU KNOW, SO WHAT'S YOUR FAVORITE CARTOON?

AND IT'S THE ONE I DID TODAY.

♪♪ ♪♪ >>> THIS IS A SONG FOR ANYONE WHO HAS FOUND THEMSELVES IN A DEAD END RELATIONSHIP THAT'S GOING NO WHERE.

BUT, FROM WHICH IT'S STILL HARD TO WALK AWAY.

TALISHA HOLMES WRITES FROM THE HEART AND PERSONAL EXPERIENCE, HOWEVER RAW AND PAINFUL IT MAY BE.

HERE IS “HE WON'T EVER LET ME” BY TALISHA HOLMES AND BJAZZ.

♪♪ ♪♪ ♪♪ ♪ I GAVE MY GUNS TO CRIMINALS ♪ ♪ MY GOLD TO THIEVES ♪ ♪ MY HEART TO NEANDERTHALS ♪ ♪ AND MY GUTS TO THE BEAST ♪ ♪ I GAVE MY BONES TO COMMON DOGS ♪ ♪ AND MY LIFE TO JUDAS ♪ ♪ MY INNER THOUGHTS TO POLITICIANS ♪ ♪ AND MY TRUST TO BRUTAS ♪ ♪ BUT IT NEVER FELT LIKE WINDOWS ♪ ♪ NO ♪ ♪ AND IT DIDN'T FEEL OKAY ♪ ♪ NO ♪ ♪ NO NO NO NO ♪ ♪ AND IT DOESN'T FEEL ALRIGHT ♪ ♪ NO NO ♪ ♪ AND I CAN'T SLEEP OKAY ♪ ♪ YEAH YEAH ♪ ♪ I TOOK MY THOUGHTS FROM THE PREACHER ♪ ♪ I GAVE MY CONFIDENCE IN MAN ♪ ♪ I BUILT MY HOPE ON WHAT WAS FLEETING ♪ ♪ I MADE A MANSION IN THE SAND ♪ ♪ I GAVE MY LOVE TO YOU ONLY ♪ ♪ MY BODY TO YOUR HANDS ♪ ♪ I PLACED MY SOUL AT YOUR FEET ♪ ♪ AND MY LIFE TO YOUR PLANS ♪ ♪ BUT IT DOESN'T FEEL ALRIGHT ♪ ♪ NO ♪ ♪ AND IT DOESN'T FEEL OKAY ♪ ♪ NO ♪ ♪ HEY ♪ ♪ AND IT DOESN'T FEEL ALRIGHT ♪ ♪ NO NO ♪ ♪ AND I CAN'T SLEEP OKAY ♪ ♪ HEY ♪ ♪ AND IT DOESN'T FEEL ALRIGHT ♪ ♪ NO ♪ ♪ AND IT DOESN'T FEEL OKAY ♪ ♪ OHH ♪ ♪ AND IT DOESN'T FEEL ♪ ♪ IT DOESN'T FEEL ALRIGHT ♪ ♪ AND I CAN'T SLEEP ♪ ♪ OKAY AT NIGHT ♪ ♪ WHY ♪ ♪ NOT RIGHT ♪ ♪ IT'S NOT RIGHT ♪ ♪ IT'S NOT RIGHT ♪ ♪ IT'S NOT RIGHT ♪ ♪ OHH ♪ ♪ AND IT DOESN'T FEEL RIGHT ♪ ♪ NO NO ♪ ♪ NO AND IT DOESN'T FEEL OKAY ♪ ♪ AND IT DOESN'T FEEL ALRIGHT ♪ ♪ NO ♪ ♪ AND I CAN'T SLEEP OKAY ♪ ♪♪ ♪♪ >>> THAT OUR SHOW.

REMEMBER, YOU CAN FIND ALL OF OUR STORIES ONLINE AT WOSU.ORG, AS WELL AS ON OUR YOUTUBE CHANNEL.

FOR ALL OF US HERE AT WOSU, I'M DAVID HOLM.

THANKS FOR WATCHING.

♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ ♪♪ >> PRODUCTION OF "BROAD AND HIGH" IS FUNDED IN PART BY THE GREATER COLUMBUS ARTS COUNCIL.

SUPPORTING ARTS, ADVANCING CULTURE AND CONNECTING THE COMMUNITY TO ARTISTS, EVENTS AND CLASSES AT COLUMBUSMAKESART.COM.