Broad and High
Colorful Glass Mosaics, MojoFlo, Quick Snacking Crackers
Season 9 Episode 1 | 26m 46sVideo has Closed Captions
See colorful glass mosaics from Columbus artist Beth Himsworth and more.
See colorful glass mosaics from Columbus artist Beth Himsworth. The love of music and family ties help a violinist overcome cancer. Music from MojoFlo. Also, a recipe for quick snacking crackers. A new season of Broad & High, premieres Thursday, October 7, 2021 at 8pm on WOSU TV.
Broad and High is a local public television program presented by WOSU
Production of Broad & High is funded in part by the Greater Columbus Arts Council, the Columbus State Hospitality Management Program and viewers like you!
Broad and High
Colorful Glass Mosaics, MojoFlo, Quick Snacking Crackers
Season 9 Episode 1 | 26m 46sVideo has Closed Captions
See colorful glass mosaics from Columbus artist Beth Himsworth. The love of music and family ties help a violinist overcome cancer. Music from MojoFlo. Also, a recipe for quick snacking crackers. A new season of Broad & High, premieres Thursday, October 7, 2021 at 8pm on WOSU TV.
How to Watch Broad and High
Broad and High is available to stream on pbs.org and the free PBS App, available on iPhone, Apple TV, Android TV, Android smartphones, Amazon Fire TV, Amazon Fire Tablet, Roku, Samsung Smart TV, and Vizio.
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>> PRODUCTION OF "BROAD AND HIGH" IS FUNDED IN PART BY THE GREATER COLUMBUS ARTS COUNCIL.
SUPPORTING ARTS, ADVANCING CULTURE AND CONNECTING THE COMMUNITY TO ARTISTS, EVENTS AND CLASSES AT COLUMBUSMAKESART.COM.
>> FROM THESE CONTRIBUTING SPONSORS -- AND VIEWERS LIKE YOU.
THANK YOU.
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>> THIS TIME ON "BROAD AND HIGH" -- A COLUMBUS ARTIST COMBINES THE ANCIENT ART OF MOSAIC WITH THE COMPLEXITY AND TEXTURES OF MODERN GLASS.
A VIOLINIST CREDITS OVERCOMING A RARE FORM OF BLOOD CANCER TO THE SUPPORT OF HIS FAMILY AND HIS LOVE FOR MUSIC.
A TREAT FROM “KATE'S QUICK BITES.” AND NEO-FUNK RHYTHM FROM MOJOFLO.
THIS AND MORE, RIGHT NOW -- ON “BROAD AND HIGH.” !
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>> WELCOME TO "BROAD AND HIGH."
I'M DAVID HOLM, YOUR HOST FOR THIS EPISODE -- FILLING IN FOR KATE QUICKEL.
BETH HIMSWORTH HAS LIVED IN SEVERAL COUNTRIES AND EXPERIENCED MANY CULTURES.
YOU CAN SEE THAT IN THE LUSH AND STRIKING MOSAICS CREATED BY THIS COLUMBUS ARTIST.
LET'S SEE HOW THE RHYTHMS AND PATTERNS FROM ALL OVER THE WORLD ARE REPRESENTED IN HER WORK.
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>> AS I WAS LIVING IN SOUTH AMERICA FOR A LONG TIME, I WOULD COME HOME ON DIFFERENT VISITS AND MY MOTHER WAS MAKING STAINED GLASS.
AND SHE KEPT TELLING ME, “OH, THIS IS SO MUCH FUN.” AND, “YOU SHOULD DO THIS!” AND SHE MADE WINDOWS AND LAMPS AND -- I JUST KEPT SAYING, “MOM, NO -- I DON'T FOLLOW PATTERNS, I DON'T MEASURE ANYTHING.” “THERE'S NOTHING ABOUT STAINED GLASS THAT ATTRACTS ME.” !
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MY HUSBAND AND I, WHEN WE MOVED BACK HERE -- WE WENT ON A DOUBLE DATE WITH SOME FRIENDS.
AND WE WENT TO A PLACE THAT DID GLASS MOSAIC -- WHICH WAS REALLY FUN EXCEPT THAT IT WAS WITH THOSE LITTLE TILES.
AND I MADE A TRAY AND I TOOK IT AND I SHOWED IT TO MY MOM, AND I SAID, “HERE, LOOK.” AND SHE GOES, “IT WOULD LOOK A LOT BETTER IF YOU MADE IT OUT OF GLASS.” I WAS LIKE, “OH, YOU KNOW -- IT WOULD.” [NOISE] AND SO -- SHE GAVE ME A BOX OF GLASS, AND I WENT DOWN TO MY BASEMENT WITH A GLASS CUTTER AND STARTED BEATING THINGS UP, AND STARTED MAKING MOSAIC OUT OF IT.
AND, IT WAS JUST REALLY FUN.
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I JUST BECAME FASCINATED BY THE COLORS.
THE DIFFERENCE -- DIFFERENT KINDS OF TRANSLUCENTS.
AND THE INCREDBLE POSSIBLITIES THAT GLASS HAS.
AND THEN, EVENTUALLY I THOUGHT, “WELL, I KIND OF -- I REALLY LIKE THE MOSAIC.” “I LIKE WORKING WITH GLASS, BUT I'D LIKE TO HAVE IT BE A LITTLE MORE PAINTERLY.“ I WANTED COLORS TO KIND OF BLEND TOGETHER BETTER.
AND, I DIDN'T KNOW HOW TO DO THAT WITH GLASS.
SO, I STARTED GETTING INTERESTED IN FUSED GLASS, AND WITH FUSED GLASS I WAS ABLE TO OVERLAP AND INTERPLAY IN WAYS THAT I HADN'T BEEN ABLE TO DO BEFORE.
BUT, IT STILL WASN'T QUITE WHAT I WANTED.
I KEPT EXPERIMENTING AND EXPERIMENTING AND THEN, JUST BY CHANCE -- I HEARD ABOUT A CLASS BY A GUY WHO MADE THE WORLD'S LARGEST STAINED GLASS WINDOW AT 4,000 SQUARE FEET.
TIM CAREY.
AND HE IS AN AMAZING INSTRUCTOR AND HE SHOWS YOU HOW TO MAKE YOUR OWN SHEETS OF GLASS.
AND HOW TO GET THE COLORS TO KIND OF MELD TOGETHER.
SO I COULD ADD, YOU KNOW, FIVE, SIX, EIGHT COLORS, IF I WANT -- OF GLASS INTO A SHEET.
AND AS IT MELTS TOGETHER, THEN -- WITH FRIT, AND ALL KINDS OF LITTLE PIECES OF GLASS, IT TURNS INTO SOMETHING COMPLETELY DIFFERENT.
AND SO, THIS WHOLE BODY OF WORK THAT WE'RE LOOKING AT TODAY HAS BEEN MADE WITH THAT TECHNIQUE.
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WHEN I TRY TO EXPLAIN TO PEOPLE THAT FUSED GLASS IS WARM GLASS, IT'S KIND OF HARD TO FIGURE OUT.
ALL WILL SAY, “DID YOU BLOW THIS?” AND SO, WHAT'S VERY IMPORTANT ABOUT GLASS IS THAT THIS IS COLD GLASS.
IT IS WORKED COLD.
IT'S PUT TOGETHER COLD.
AND IT ALWAYS STAYS FLAT LIKE THIS.
THIS IS THE PIECE THAT MY MOTHER MADE YEARS AGO.
AND THEN, HOT GLASS IS THE TYPICAL THING YOU THINK OF AS BEING IN A KILN.
YOU KNOW, WITH THE BLOWN GLASS AND THAT KIND OF THING.
AND IT -- IT'S REALLY, REALLY HOT.
IT'S AROUND 2,000-2,200 DEGREES.
SO, WHAT I DO WITH FUSED GLASS IS CALLED WORN GLASSED, BECAUSE MY KILN ONLY GOES UP TO 1,700 DEGREES FARENHEIT.
AND SO, AT WARM, GLASS IS ABLE TO -- IT DOESN'T -- IT MELTS IN TERMS OF BEING LIKE A REALLY THINK MOLASSES TYPE OF TEXTURE.
AND SO, IT CAN BEND AND MOVE, BUT IT DOESN'T ACTUALLY BECOME AN ACTUAL LIQUID THAT YOU CAN BLOW, AS IN HOT GLASS.
AND SO, IN ORDER TO MAKE THINGS THAT HAVE -- THAT HAVE THESE KINDS OF CHARACTERISTICS WITH TEXTURE, I HAVE TO MAKE A CLAY MOLD.
AND WITH THE CLAY MOLD THEN, I CAN LAY THIS ON, MELT IT TOGETHER, AND THEN I CAN MAKE THINGS OUT OF IT THAT I WANT TO MAKE.
AND SO, I WAS TALKING BEFORE ABOUT THIS IDEA THAT I WANTED TO GET MORE TEXTURE, AND MORE OVERLAP INTO MY GLASS.
THIS IS SORT OF AN EARLY ATTEMPT AT THAT WITH FUSED GLASS.
TRYING TO GET THINGS ON TOP OF EACH OTHER, AND THINGS TO MOLD TOGETHER.
AND IT'S SO MUCH EASIER NOW WITH THE CLASS THAT I'VE TAKEN.
BUT, THIS WAS MY FIRST ATTEMPT TO TRY AND FIGURE OUT HOW TO MAKE GLASS A LITTLE MORE INTERACTIVE WITH AND OVERLAPPING WITH THE DIFFERENT COLORS.
SO, THIS IS WARM GLASS, HOT GLASS, AND COLD GLASS.
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WELL, AT THE STUDIOS ON HIGH GALLERY, WE ARE THE ONLY ARTISTS OWNED AND OPERATED GALLERY IN THE SHORT NORTH.
AND, EVERY MONTH WE HAVE A DIFFERENT SHOW IN THE FRONT OF OUR GALLERY.
SO, I HAPPEN TO BE THE MEMBER WHOSE DOING A SHOW IN SEPTEMBER.
IT'S CALLED, “FROM THE EARTH.” AND THE REASON IT IS CALLED, “FROM THE EARTH” IS BECAUSE THEY HAD TO PICK A TITLE A YEAR AGO, AND I HAD NO IDEA WHAT I WAS GONNA DO.
SO, I KNEW I WANTED TO EXPERIMENT WITH SOME NEW THINGS, BUT I DIDN'T KNOW HOW IT WAS GONNA GO.
SO, I THOUGHT THAT WAS GENERIC ENOUGH TO ENCOMPASS WHAT I REALLY LIKE TO DO, WHICH IS NATURE SUBJECTS.
AND LEAVES, AND BAMBOO, AND THINGS LIKE THAT.
HAVING SPENT 18 YEARS LIVING IN THE TROPICS, I JUST LOVE NATURE.
IT'S LIKE, WHEN YOU LIVE IN A PLACE WHERE IT'S ALL AROUND YOU, IT BECOMES SO MUCH MORE A PART OF YOUR LIFE.
SO, LIVING IN OHIO, I HAPPEN TO LIVE IN A GOOD NEIGHBORHOOD THAT HAS LOTS OF TREES -- BUT IT'S STILL NOT THE SAME.
AND, I'M ALWAYS LIKE, TRYING TO RECREATE PIECES THAT HAVE THAT KIND OF JUNGLE-Y FEEL TO IT.
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WITH THIS, I AM HOPING IS GONNA BE MY FAVORITE PIECE WHEN IT GETS DONE.
I REALLY, REALLY LOVE MONSTERA LEAVES.
SO, THIS IS SORT OF, LIKE INSPIRED BY THE FIRST PROJECT THAT I MADE WITH TWO LEAVES, AND I'M TRYING TO SEE IF I CAN GET IT TO WORK OKAY WITH FIVE.
NOW, GLASS, WHEN YOU PUT IT IN A KILN -- AND IT MELTS, IT WANTS TO LEVEL OUT.
GLASS ONLY WANTS TO BE THIS THICK.
AND UNFORTUNATELY, WHEN -- SO WHEN YOU PILE UP GLASS.
IT WILL JUST FLOW ALL OVER THE PLACE AND DRIP OFF THE SIDES.
SO, THE HASTAB DAMS -- SO THIS, THESE WALLS THAT I CAN STRUCTURE ‘ROUND THE PIECE, AND I LINE SO THAT THEY WON'T STICK TO THE DAMS.
THESE WALLS WILL HELP THE GLASS CONTINUE TO STAY IN THE SAME FRAMEWORK.
IN ORDER TO KEEP THIS LEAF -- THIS PART OF THE LEAF FLOATING INTO THAT PART OF THE LEAF, YOU HAVE TO PUT A SPACER IN IT OF THE CLEAR GLASS.
SO, THE CLEAR GLASS WILL THEN HOLD IT IN PLACE.
SO I HAVE TO PUT IN A WHOLE LOT OF DIFFERENT PIECES IN ORDER TO, TO MAKE THE SHAPE THAT I AM LOOKING FOR.
AND THEN, THERE ARE ALL THESE GAPS.
SO HOW ARE THESE GAPS GOING TO FILL IN?
SOME OF THEM WILL FILL IN OKAY JUST BY MELTING, BUT I WANT TO MAKE SURE THAT ESPECIALLY IN GAPS FROM ONE LEAF TO ANOTHER, THAT THERE'S ENOUGH OF A LINE THERE THAT YOU CAN TELL WHICH LEAF IS ON TOP, AND SO ON.
SO BASICALLY, WHAT I NEED TO DO IS TO TAKE THE GLASS FRIT THAT I MADE IN MY GRINDER, AND -- AND THEN I HAVE TO LIKE, BRUSH IT INTO THE CRACKS.
SO AS I BRUSH IT INTO THE CRACKS THEN, IT KINDA FILLS IN, IN PLACES WHERE I WANT IT TO BLEND.
IT LOOKS PRETTY OBVIOUS NOW THAT I HAVE THIS FILLED INTO THE BLOCKS, BUT ONCE IT'S ALL MELTED TOGETHER, YOU DON'T REALLY SEE IT THAT MUCH.
SO I HAVE TO CHECK IT ONE LAST TIME, MAKE SURE THERE IS NOTHING MORE THAT I NEED TO DO.
AND THEN, JUST CLOSE IT.
AND, WE'LL FIND OUT IN ABOUT 30 HOURS, IF IT CAME OUT THE WAY WE WANTED IT TO.
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YEAH, SO FAR, SO GOOD.
WELL, IT ALL CAME TOGETHER PRETTY WELL.
NOW I JUST NEED A PIECE OF GLASS AS A SCRAPER TO HELP GET SOME OF THIS PAPER OFF.
[SCRAPING NOISE] AND THEN, THE NEXT STEP IS IT'S GOING IN MY SINK TO GET A BATH, AND TO GET THE REST OF THIS OFF.
AND THEN WE'LL SEE HOW IT TURNED OUT.
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IT'S KINDA HEAVY.
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>> NOW, YOU CAN'T SEE THE TOP VERY WELL BECAUSE IT'S IN THE SHADOWS.
IT WILL BE A LITTLE BIT BRIGHTERB THAN THAT.
AND THIS IS A PIECE THAT'S INTENDED TO BE FRONT LIT.
SO, IT -- UNDER A SPOTLIGHT, I THINK IT WILL POP OUT PRETTY WELL.
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I SEE PEOPLE STANDING AND JUST KINDA STARING AND THEY -- THEY LOOK AT HOW THE PIECES COME TOGETHER.
AND THEY LOOK AT THE NEGATIVE SPACE AND THE POSITIVE SPACE, AND SOMETIMES, I'VE HAD ART -- GLASS ARTISTS COME IN AND THEY'LL LOOK AT A REALLY LONG, SLENDER PIECE OF GLASS, AND THEY'LL BE LIKE, “HOW DID YOU CUT THAT?” “I DON'T KNOW HOW --?” YOU KNOW, AND IT'S BECAUSE I PRACTICE WITH A DIFFERENT KIND OF TECHNIQUE THAN THEY'RE PROBABLY USING.
AND PART OF IT, FOR ME IS NOT BEING A CLASSICALLY OR ACADEMICALLY TRAINED ARTIST.
I DON'T HAVE THE LIMITATIONS OF “THIS IS HOW IT'S SUPPOSED TO BE.” “AND THIS IS WHAT YOU CAN'T DO AND THIS IS WHAT YOU CAN DO.” >> SO, I'M ALWAYS EXPERIMENTING AND PLAYING AROUND, AND THEN, HOPEFULLY, I CAN COME UP WITH SOME THINGS THAT ARE KIND OF UNIQUE IN THAT WAY.
I HOPE THAT IT ENCOURAGES THEM SOMEHOW.
I HOPE THAT THEY LOOK AT IT.
I HOPE THAT THEY FEEL A SENSE OF, “OH YEAH, THIS IS COOL.” “THIS IS LIKE, LIFE.” “AND THIS IS SOMETHING THAT, THAT KIND OF MAKES MY DAY FEEL A LITTLE BIT BETTER.” >> I REALLY FEEL LIKE IT'S A PART OF OUR HUMANITY TO BE ENGAGED WITH NATURE.
IT'S PART OF WHO WE ARE.
AND WHEN WE LIVE THESE BUSY, URBAN LIVES WE GET DISCONNECTED FROM THAT.
SO, I REALLY FEEL THAT THROUGH ART, WE CAN GET A LITTLE BIT BETTER CONNECTED.
AND BEGIN TO JUST APPRECIATE A LITTLE MORE, THE WORLD THAT WE LIVE IN.
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>> GETTING A DIAGNOSIS OF A SERIOUS DISEASE CAN BE A TRANSFORMING EXPERIENCE.
HERE'S THE STORY OF A FLORIDA VIOLINIST'S DISCOVERY OF THE POWER OF ART AND THE LOVE OF FAMILY.
>> AM I GONNA MAKE IT OR NOT?
AND YOU'RE LOOKING AT DEATH LIKE, IN ITS FACE.
AND LIKE, YOU'RE SO SCARED.
AND -- >> AND THE WAY THE HOURS BECOME SO PRECIOUS.
I WAS LIKE, “I DON'T CARE IF THEY'RE HORRIBLE HOURS, I JUST WANT HOURS.” >> CANCER CHANGES YOU IN A WAY THAT I THINK, A LOT OF PEOPLE DON'T GET OR CAN'T EVEN UNDERSTAND.
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THE WORLD, TO ME, IS JUST MUSIC.
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AT 13, I GOT INTERESTED IN THE VIOLIN.
IT CAME NATURALLY.
AND, I FEEL LIKE, IT JUST SO QUICKLY, LIKE FELL IN LOVE WITH IT.
AND, I'M NOT GREAT WITH WORDS, AND JUST COMMUNICATION, BUT LIKE -- MUSIC IS JUST HOW I EXPRESS MYSELF.
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>> IT WAS LITERALLY ABOUT A MONTH OF THAT, KIND OF.
ON AND OFF NAUSEAOUS, AND AFTER MORE TESTING THEY STARTED COMING BACK WITH, “THIS LOOKS LIKE IT CAN BE BLOOD CANCER.” !
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>> AND THAT WAS A HUGE BLOW.
IT WAS -- SOMETHING THAT WE NEVER EXPECTED.
>> CANCER IS ABSOLUTE WAR.
YEAH.
>> I CAN'T EVEN GO THERE.
I WON'T LET THAT HAPPEN.
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I GOTTA BE THERE FOR THEM.
I IMMEDIATELY STARTED DOING CHEMOTHERAPY.
I RESPONDED REALLY, REALLY WELL.
BUT THEY WERE STILL LIKE, “TO FIX THE REAL PROBLEM, WE REALLY THINK YOU NEED TO DO A TRANSPLANT.” >> AND, YOU KNOW, SOMEONE WHO HAS A POTENTIALLY TERMINAL DIAGNOSIS, IT'S THAT ONE SHOT.
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>> IT MADE ME FEEL, HONESTLY, SO GRATEFUL TO BE ABLE TO LIKE, HAVE THE OPPORTUNITY TO GIVE HIM A PROSPEROUS LIFE WITH HIS FAMILY AND HIS KIDS.
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>> THE TRANSPLANT, LIKE -- THERE WAS WAY, WAY HARDER THAN I COULD EVER IMAGINE.
>> SOMEBODY SO STRONG, AND SO LIKE, JUST -- LIKE ROLL UP INTO THIS BALL, HAIRLESS, GRAY HUMAN BEING.
IT WAS SO SAD TO WATCH HIM -- YEAH, DISINTEGRATE LIKE THAT.
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>> SUBSEQUENTLY HAD ADDITIONAL COMPLICATIONS ASSOCIATED WITH THE TRANSPLANT THAT WERE NOT RUN OF THE MILL COMPLICATIONS.
>> THE PAIN WAS SO BAD, I DIDN'T KNOW HOW I WAS GONNA GET THROUGH AN HOUR OR DAY, SO -- >> IS HE DYING RIGHT NOW?
IF HE IS, LIKE, WHAT WOULD I REGRET NOT DOING?
AND I WAS LIKE, “WE NEED THE KIDS HERE.” WE NEED TO GET TO BE TOGETHER.
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>> I DIDN'T PICK MY VIOLIN UP FOR LIKE, TWO MONTHS.
JUST LIKE, I COULDN'T.
BUT I WOULD HEAR THESE SONGS, LIKE SO MUCH MUSIC IN MY HEAD.
I JUST -- SAT DOWN AT MY KEYBOARD FOR THE FIRST TIME, AND JUST WROTE THIS WHOLE SONG.
LIKE, I FEEL LIKE THERE'S SO MUCH THAT'S GONNA COME OUT, AND IT ALREADY HAS FROM THIS JOURNEY.
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>> REALLY, ONE OF THE BEST DAYS OF MY LIFE.
LIKE, BEING ABLE TO HUG THEIR LITTLE, FEEL THEIR LITTLE ARMS JUST WRAPPED AROUND ME, AND WRAPPED THEIR ARMS AROUND ME, AND BE BACK TOGETHER.
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>> CALEB HAD MADE AN ANNOUNCEMENT THAT HE WAS GOING BACK TO THE DOGS, AND WE LIKE, DROPPED EVERYTHING.
LIKE, “THIS IS SOMETHING WE ARE ABSOLUTELY NOT GONNA MISS.” >> BUT, JUST TO GO BACK AFTER THAT -- COMING THAT CLOSE TO NOT MAKING IT.
AND -- THERE WAS HUNDREDS OF PEOPLE THERE.
AND SO, TO GET TO THAT DAY AND JUST SEE SO MUCH LOVE AND SO MUCH SUPPORT PUT OUT.
IT'S HARD TO DESCRIBE WITH WORDS.
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>> THAT'S LIKE EVERYTHING.
I MEAN, THAT'S JUST THAT'S THE REASON THAT PEOPLE UNDERGO THIS HORRIBLE EXPERIENCE OF TRANSPLANT, AND THE COMPLICATIONS THAT OCCUR POST TRANSPLANT.
IT'S TO LIVE THEIR LIVES AGAIN.
>> I REALLY GOT THAT MIRCLE THAT SO MANY PEOPLE HOPE FOR AND PRAY FOR AND LONG FOR.
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>> THERE'S A WHOLE LOT OF SHAKING GOING ON IN KATE QUICKEL'S KITCHEN.
THAT'S THE ESSENTIAL STEP IN THIS, “KATE'S QUICK BITES” RECIPE.
QUICK SNACKIN' CRACKERS.
SHE SAYS THEY'RE EASY TO MAKE, AND SHE SWEARS THEY'RE DELICIOUS.
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>> TODAY, I'M GONNA BE MAKING A SUPER QUICK AND TASTY SNACK THAT YOU CAN WHIP UP, AND IT'S MADE WITH PANTRY INGREDIENTS.
IT'S SAVORY.
IT'S CHEESY.
IT'S SO GOOD.
THEY'RE MY QUICK SNACKIN' CRACKERS.
AND THEY ARE COATED IN RANCH SEASONING, SO YOU CAN'T GO WRONG.
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YOU WILL NEED THREE QUARTERS OF A CUP OF VEGETABLE OIL.
A ONE OUNCE PACKET OF RANCH SEASONING.
ONE QUARTER CUP OF GRATED PARMESAN CHEESE.
AND 16 OUNCES OF OYSTER CRACKERS.
IT'S USUALLY ABOUT TWO BAGS.
OKAY, THIS RECIPE REALLY COULDN'T BE ANY EASIER.
YOU GATHER ALL OF YOUR INGREDIENTS TOGETHER.
THE ONE TOOL YOU'RE GONNA NEED IS A ZIP-TOP BAG.
SO, EVERYTHING'S GONNA GO IN HERE AND WE'RE GONNA SHAKE IT ALL UP SO THAT THE CRACKERS GET COATED.
WHAT I DO, IS I JUST KIND OF FLIP THE BAG OPEN SO IT STAYS OPEN, SO I GOT A LITTLE STRUCTURE.
SO THAT I CAN ADD EVERYTHING TO IT.
SO, I'M GONNA START BY ADDING THE VEGETABLE OIL INTO THE BAG, AND OUR PARMESAN CHEESE, AND THE ULTIMATE INGREDIENT, THE RANCH SEASONING.
AND I'M JUST GONNA, KIND OF MIX THIS STUFF TOGETHER, SO THAT THE LIQUIDS AND THE DRY INGREDIENTS GET MIXED UP.
AND NOW, WE CAN ADD THE CRACKERS.
THIS SOMETIMES RESULTS IN A MESS, SOMETIMES IT DOESN'T.
BUT, THIS WILL BE HARDER WITH A BOWL.
OHH, OHH.
YEP.
NOW YOU WANNA SEAL YOUR BAG, BUT MAKE SURE YOU SEAL IT REALLY WELL.
HEAR THOSE CLICKS.
NOW, IT GETS FUN.
NOW YOU JUST SHAKE IT UP.
YOU JUST WANNA MIX IT AROUND, SO THAT YOUR CRACKERS GET FULLY COATED.
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SHAKE SHAKE SHAKE M SO, YOU JUST WANNA GET ‘EM ALL EVENLY COATED, AND WHEN YOU START TO SEE THAT THEY ARE, THAT THE WHOLE BAG LOOKS WET, AND THAT THE CRACKERS ARE COATED, WE CAN MOVE ON TO THE NEXT STEP.
WE ALWAYS JUST ATE THEM LIKE THIS.
WE SHOOK IT UP, AND THEN YOU POUR ‘EM INTO A BOWL AND THEY WERE DELICIOUS.
YOU CAN EAT THEM LIKE THAT.
I RECENTLY WAS LIKE, “WHAT IF WE PUT THEM IN THE OVEN, AND KIND OF, TOAST THEM UP?” SO, THAT'S WHAT I'M GONNA DO NOW.
THEY GET REALLY CRISPY AND EVERYTHING JUST KIND OF BAKES TOGETHER.
AND THEY'RE AMAZING, SO EITHER WAY YOU WANNA DO IT.
IF YOU DON'T WANT TO TURN YOUR OVEN ON, JUST EAT THEM LIKE THIS.
BUT, I THINK THIS IS A GREAT WAY TO MAKE THEM JUST A LITTLE EXTRA DELICIOUS.
SO PREHEAT YOUR OVEN TO 300 DEGREES.
USE A SHEET PAN.
JUST OPEN THE BAG AND SPREAD EVERYTHING OUT EVENLY.
POP ‘EM IN THE OVEN FOR ABOUT 10 MINUTES.
AND TAKE ‘EM OUT AND LET THEM COOL, AND THEN YOU CAN EAT THEM!
SO, OUR RANCH OYSTER SNACKING CRACKERS ARE OUT OF THE OVEN.
THEIR TOASTED AND GOLDEN AND ALL OF THE SEASONING JUST KIND OF BAKED INTO THEM AND THEY'RE AMAZING.
TOSS ‘EM IN A BOWL AND THESE ARE GREAT FOR A PARTY OR GET TOGETHER.
SOCIAL DISTANCED OR OTHERWISE.
I'M GONNA GIVE THEM A TASTE.
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SO CRISPY, AND SALTY, AND RANCHY.
JUST THE BEST.
HOPE YOU'LL MAKE THESE!
>> WE END WITH MUSIC FROM THE HEART OF COLUMBUS.
HERE'S MOJOFLO WITH “PERPETUAL CONDUIT OF POSITIVITY.” A SINGLE THAT IS BRIMMING WITH ENERGY AND ENTHUSIASM.
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DRIVING DOWN THIS !
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WINDING ROAD M !
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DROPPED YOUR BAGGAGE M !
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AND YOU LIGHTENED YOUR LOAD M !
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YOU THINK YOU GOT IT M !
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ALL FIGURED OUT M !
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'TIL LIFE COMES IN M !
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AND TURNS YOU ‘ROUND M !
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IT'S FUNNY ‘CAUSE IT M !
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FEELS LIKE YOU'VE FALLEN M !
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BUT IT'S CRAZY ‘CAUSE M !
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YOU LEARN HOW TO FLY M !
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PERPETUAL CONDUIT M !
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OF POSITIVITY M !
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AN OPEN INVITATION TO M !
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TRY A NEW PHILOSOPHY M !
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WE'LL MAKE IT A LOT M !
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LONGER AND FARTHER M !
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WE TRY TO BE PERPERTUAL M !
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CONDUITS OF POSIVITIY M !
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BEING SMALL SOMETIMES M !
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LIFE GETS HARD M !
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BUT WITH PAIN YOU'LL M !
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GROW AND IN TIME YOU'LL KNOW M !
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EVERYTHING THAT GLITTERS M !
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AND GLOWS M !
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DON'T SUBSCRIBE TO THE LIES M !
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THAT YOU'RE BEING TOLD M !
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IT'S FUNNY ‘CAUSE IT FEELS M !
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FEELS LIKE YOU'RE FALLEN M !
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BUT IT'S CRAZY ‘CAUSE M !
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YOU LEARN HOW TO FLY M !
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PERPERTUAL CONDUIT M !
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OF POSITIVITY M !
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AN OPEN INVITATION TO M !
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TRY A NEW PHILOSOPHY M !
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WE'LL MAKE IT A LOT M !
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LONGER AND FARTHER IF M !
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WE TRY TO BE PERPETUAL M !
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CONDUITS OF POSITIVITY M !
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PERPETUAL CONDUIT M !
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OF POSITIVITY M !
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PERPETUAL CONDUITS M !
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OF POSITIVITY M !
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PERPETUAL CONDUITS M !
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OF POSITIVITY M !
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AN OPEN INVITATION TO M !
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TRY A NEW PHILOSOPHY M !
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WE'LL MAKE IT A LOT M !
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LONGER AND FARTHER M !
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IF WE TRY TO BE M !
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I'LL BE A LIGHT M !
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!
!musiC@!
WE'LL BE ALL RIGHT M !
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!
!musiC@!
I'LL BE A LIGHT M !
!musiC@!!!musiC@!
!
!musiC@!
WE'LL BE ALL RIGHT M !
!musiC@!!!musiC@!
!
!musiC@!
I'LL BE A LIGHT M !
!musiC@!
WE'LL BE ALL RIGHT M !
!musiC@!
I'LL BE A LIGHT M !
!musiC@!!!musiC@!
!
!musiC@!
WE'LL BE ALL RIGHT M !
!musiC@!!!musiC@!
!
!musiC@!!!musiC@!
!
!musiC@!
PERPERTUAL CONDUIT M !
!musiC@!
OF POSITIVITY M !
!musiC@!
AN OPEN INVITATION TO M !
!musiC@!
TRY A NEW PHILOSOPHY M !
!musiC@!
WE'LL MAKE IT A LOT M !
!musiC@!
LONGER AND FARTHER M !
!musiC@!
WE TRY TO BE M !
!musiC@!
PERPETUAL CONDUITS M !
!musiC@!
OF POSITIVITY M !
!musiC@!
PERPETUAL CONDUITS M !
!musiC@!
OF POSITIVITY M !
!musiC@!
AN OPEN INVITATION TO M !
!musiC@!
TRY A NEW PHILOSOPHY M !
!musiC@!
WE'LL MAKE IT A LOT M !
!musiC@!
LONGER AND FARTHER M !
!musiC@!
WE TRY TO BE M !
!musiC@!
PERPETUAL CONDUITS M !
!musiC@!
WE TRY TO BE M !
!musiC@!
OF POSITIVITY M !
!musiC@!!!musiC@!
!
!musiC@!!!musiC@!
!
!musiC@!!!musiC@!
!
!musiC@!
I'LL BE A LIGHT M !
!musiC@!!!musiC@!
!
!musiC@!
WE'LL BE ALL RIGHT M !
!musiC@!!!musiC@!
!
!musiC@!
I'LL BE A LIGHT M !
!musiC@!!!musiC@!
!
!musiC@!
WE'LL BE ALL RIGHT M !
!musiC@!!!musiC@!
!
!musiC@!
PERPETUAL CONDUITS M !
!musiC@!
OF POSITIVITY M !
!musiC@!
AN OPEN INVITATION TO M !
!musiC@!
TRY A NEW PHILOSOPHY M !
!musiC@!
WE'LL MAKE IT A LOT M !
!musiC@!
LONGER AND FARTHER M !
!musiC@!
IF WE TRY TO BE M !
!musiC@!!!musiC@!
!
!musiC@!
BE M !
!musiC@!
I'LL BE A LIGHT M !
!musiC@!
I'LL BE A LIGHT M !
!musiC@!
WE'LL BE ALL RIGHT M !
!musiC@!
WE'LL BE ALL RIGHT M !
!musiC@!
I'LL BE A LIGHT M !
!musiC@!
I'LL BE A LIGHT M !
!musiC@!
WE'LL BE ALL RIGHT M !
!musiC@!!!musiC@!
!
!musiC@!!!musiC@!
!
!musiC@!
WE'LL BE M !
!musiC@!
ALL RIGHT M !
!musiC@!!!musiC@!
!
!musiC@!!!musiC@!
>> THAT'S OUR SHOW.
REMEMBER, YOU CAN FIND ALL OF OUR STORIES ONLINE AT WWW.WOSU.ORG AS WELL AS ON OUR YOUTUBE CHANNEL.
FOR ALL OF US HERE AT WOSU, I'M DAVID HOLM.
THANKS FOR WATCHING.
!
!musiC@!
EXCEPT MONEY M !
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OR MY TIME M !
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BUT I PROMISE M !
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IT WON'T ALWAYS M !
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BE THIS WAY M !
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AND I KNOW IT'S M !
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BEEN A BUMPY RIDE M !
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WE'RE LUCKY EVEN M !
!musiC@!
TO SURVIVE M !
!musiC@!
IF I SQUINT MY EYES M !
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I CAN ALMOST SEE M !
!musiC@!
A NEW DAY M !
!musiC@!!!musiC@!
!
!musiC@!
THEN YOU WHISPER M !
!musiC@!
IN MY EAR M !
!musiC@!
YOU BETTER RELAX M !
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OR YOU'LL CRASH M !
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MY DEAR M !
!musiC@!
I'M COMING IN HOT M !
!musiC@!
I CAN'T STOP ON A DIME M !
!musiC@!
I'M GONNA NEED M !
!musiC@!
A LITTLE TIME M !
!musiC@!
I CAN MAKE M !
!musiC@!
YOU HAPPY ONE DAY M !
!musiC@!
BUT IT WON'T BE TONIGHT M !
!musiC@!
GONNA NEED A LONG RUNWAY M !
!musiC@!
I DON'T FOLLOW M !
!musiC@!
THE NEWS NO MORE M !
!musiC@!
EVER SINCE M !
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I LOST MY PHONE M !
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TURNS OUT I AIN'T M !
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MISSING MUCH ANYWAY M !
!musiC@!!!musiC@!
!
!musiC@!
I WAS LOST BUT M !
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LOOKIN' TO FIND M !
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A PLACE TO BREATHE M !
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AND CLEAR MY MIND M !
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AND I WOKE UP M !
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THIS MORNING M !
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WILLING TO CHANGE M !
!musiC@!!!musiC@!
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I'VE BEEN TOLD M !
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DON'T RACE AGAINST M !
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THE TIDE M !
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LATELY I COULD TRY M !
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TO PLAY THE WATERS M !
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YOU'RE JUST IN TIME M !
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>> PRODUCTION OF "BROAD AND HIGH" IS FUNDED IN PART BY THE GREATER COLUMBUS ARTS COUNCIL, SUPPORTING ARTS, ADVANCING CULTURE, AND CONNECTING THE COMMUNITY TO ARTISTS, EVENTS AND CLASSES AT COLUMBUSMAKESART.COM.
>> FROM THESE CONTRIBUTING SPONSORS -- AND VIEWERS LIKE YOU.
THANK YOU.
Broad and High is a local public television program presented by WOSU
Production of Broad & High is funded in part by the Greater Columbus Arts Council, the Columbus State Hospitality Management Program and viewers like you!